Waldo Salt | |
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Born | Waldo Miller Salt October 18, 1914 Chicago, Illinois, U.S. |
Died | March 7, 1987 Los Angeles, California, U.S. |
(aged 72)
Other names | Arthur Behrstock M.L. Davenport Mel Davenport |
Occupation | Screenwriter |
Years active | 1937-1978 |
Spouse | Mary Davenport (19?? - 19??) Gladys Schwartz (19?? - 19??) Eve Merriam (19?? - March 7, 1987) |
Waldo Miller Salt[1] (October 18, 1914 – March 7, 1987) was an American screenwriter who was blacklisted by the Hollywood movie studio bosses during the era of McCarthyism.
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Salt was born in Chicago, Illinois, the son of Winifred (née Porter) and William Haslem Salt, an artist and business executive.[2] He graduated from Stanford University at age eighteen. The first of his nineteen films he wrote or in which he participated in the writing, was released in 1937 with the title The Bride Wore Red. He joined the American Communist Party in 1938, and was a civilian consultant to the U.S. Office of War Information during World War II.
Salt's career in Hollywood was interrupted when he was blacklisted after refusing to testify before the House Committee on Un-American Activities in 1951. Like many other blacklisted writers, while he was unable to work in Hollywood Salt wrote pseudonymously for the British television series The Adventures of Robin Hood.[3] After the collapse of the blacklist, Salt won Academy Awards for Midnight Cowboy and Coming Home, and a nomination for his work on Serpico.
Salt was married three times, first to actress Mary Davenport with whom he had two children, actress/writer/producer Jennifer, and Deborah. After his divorce from Davenport, he married Gladys Schwartz and later playwright Eve Merriam. He remained married to Merriam until his death in Los Angeles, aged 72, on March 7, 1987.
Waldo Salt was the subject of a 1990 documentary Waldo Salt: A Screenwriter's Journey, which featured interviews with Dustin Hoffman, Robert Redford, Jon Voight, John Schlesinger and other collaborators and friends.
The Waldo Salt Screenwriting Award, first presented in 1992, is awarded at the Sundance Film Festival annually. It is determined by the dramatic jury, and recognizes outstanding screenwriting in a film screened at the festival that year.[4] See List of Sundance Film Festival award winners for a list of winners.
Films | ||
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Year | Title | Notes |
1937 | The Bride Wore Red | Adaptation, uncredited |
1938 | The Shopworn Angel | Screenplay |
1939 | The Adventures of Huckleberry Finn | Dialogue, uncredited |
1940 | The Philadelphia Story | Uncredited |
1941 | The Wild Man of Borneo | Screenplay |
1943 | Tonight We Raid Calais | |
1944 | Mr. Winkle Goes to War | Alternative title: Arms and the Woman |
1948 | Rachel and the Stranger | Screenplay |
1950 | The Flame and the Arrow | |
1951 | M | Additional dialogue |
1961 | Blast of Silence | Narration written by, credited as Mel Davenport |
1962 | Taras Bulba | |
1964 | Flight from Ashiya | Alternative title: Ashiya kara no hiko |
Wild and Wonderful | ||
1969 | Midnight Cowboy | Screenplay |
1971 | The Gang That Couldn't Shoot Straight | Alternative title: The Gang That Couldn't Shoot |
1973 | Serpico | Screenplay |
1975 | The Day of the Locust | Screenplay |
1978 | Coming Home | |
Television | ||
Year | Title | Notes |
1955 | Star Stage | 1 episode |
1956 | Colonel March of Scotland Yard | 2 episodes |
1958 | Swiss Family Robinson | Television movie, credited as Mel Davenport |
Ivanhoe | 4 episodes | |
1961 | Tallahassee 7000 | 1 episode |
1964 | Espionage | 1 episode |
1965 | The Nurses | 1 episode |
1967 | Coronet Blue | 1 episode |
Year | Award | Result | Category | Film or series |
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1949 | Writers Guild of America Award | Nominated | Best Written American Western | Rachel and the Stranger |
1970 | Won | Best Drama Adapted from Another Medium | Midnight Cowboy | |
1974 | Best Drama Adapted from Another Medium | Serpico (Shared with Norman Wexler) | ||
1979 | Best Drama Written Directly for the Screen | Coming Home (Shared with Robert C. Jones) | ||
1986 | Laurel Award for Screen Writing Achievement |
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1970 | Academy Award | Won | Best Writing, Screenplay Based on Material from Another Medium | Midnight Cowboy |
1974 | Nominated | Best Writing, Screenplay Based on Material from Another Medium | Serpico (Shared with Norman Wexler) | |
1979 | Won | Best Writing, Screenplay Written Directly for the Screen | Coming Home (Shared with Nancy Dowd and Robert C. Jones) | |
1970 | BAFTA Award | Won | Best Screenplay | Midnight Cowboy |
1974 | Edgar Allan Poe Awards | Nominated | Serpico (Shared with Norman Wexler) | |
1970 | Golden Globe Award | Nominated | Best Screenplay | Midnight Cowboy |
1979 | Best Screenplay - Motion Picture | Coming Home (Shared with Robert C. Jones) |
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